{"id":502,"date":"2022-03-21T09:28:18","date_gmt":"2022-03-21T08:28:18","guid":{"rendered":"http:\/\/festivallaresistanceaucinema.fr\/?p=502"},"modified":"2024-04-25T18:23:26","modified_gmt":"2024-04-25T16:23:26","slug":"les-lecons-persanes-dimanche-27-mars-a-lecran-nomade-de-bobigny-a-15-heures","status":"publish","type":"post","link":"http:\/\/festivallaresistanceaucinema.fr\/?p=502","title":{"rendered":"\u00ab\u00a0Les Le\u00e7ons persanes\u00a0\u00bb dimanche 27 mars \u00e0 l&rsquo;Ecran nomade de Bobigny \u00e0 15 heures"},"content":{"rendered":"\n<p><strong>\u00e0 l&rsquo;occasion du 80e anniversaire du d\u00e9part du premier convoi de d\u00e9port\u00e9s de Drancy vers Auschwitz<\/strong><\/p>\n\n\n\n<p><strong>Les Le\u00e7ons persanes de Vadim Perelman, Allemagne\/Russie\/Bi\u00e9lorussie, 2020, 127 minutes<\/strong><\/p>\n\n\n\n<p>Avec Nahuel P\u00e9rez-Biscayart, Lars Eidinger, Jonas Nay, Leonie Benesch<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/festivallaresistanceaucinema.fr\/wp-content\/uploads\/2022\/03\/lec\u0327ons-persanes-1-1024x680.jpg\" alt=\"\" class=\"wp-image-505\" width=\"672\" height=\"445\" srcset=\"http:\/\/festivallaresistanceaucinema.fr\/wp-content\/uploads\/2022\/03\/lec\u0327ons-persanes-1-1024x680.jpg 1024w, http:\/\/festivallaresistanceaucinema.fr\/wp-content\/uploads\/2022\/03\/lec\u0327ons-persanes-1-300x199.jpg 300w, http:\/\/festivallaresistanceaucinema.fr\/wp-content\/uploads\/2022\/03\/lec\u0327ons-persanes-1-768x510.jpg 768w, http:\/\/festivallaresistanceaucinema.fr\/wp-content\/uploads\/2022\/03\/lec\u0327ons-persanes-1-1536x1020.jpg 1536w, http:\/\/festivallaresistanceaucinema.fr\/wp-content\/uploads\/2022\/03\/lec\u0327ons-persanes-1.jpg 1600w\" sizes=\"(max-width: 672px) 100vw, 672px\" \/><figcaption><br>Nahuel P\u00e9rez-Biscayart et Lars Eidinger dans \u00ab\u00a0Les Le\u00e7ons persanes\u00a0\u00bb de Vadim Perelman<\/figcaption><\/figure>\n\n\n\n<p>1942, dans la France occup\u00e9e, Gilles est arr\u00eat\u00e9 pour \u00eatre d\u00e9port\u00e9 dans un camp en Allemagne. Juste avant de se faire fusiller, il \u00e9chappe \u00e0 la mort en jurant aux soldats qu&rsquo;il n\u2019est pas juif mais persan. Ce mensonge le sauve momentan\u00e9ment puisque l\u2019un des chefs du camp souhaite apprendre le farsi pour ses projets d\u2019apr\u00e8s-guerre. Au risque de se faire prendre, Gilles invente une langue chaque nuit, pour l&rsquo;enseigner au capitaine SS le lendemain. La relation particuli\u00e8re qui se cr\u00e9e entre les deux hommes ne tarde pas \u00e0 \u00e9veiller la jalousie et les soup\u00e7ons des autres&#8230;<\/p>\n\n\n\n<p><strong>En pr\u00e9sence de Thierry Berkover, pr\u00e9sident des Amis de la Fondation pour la M\u00e9moire de la D\u00e9portation de Seine-Saint-Denis<\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00e0 l&rsquo;occasion du 80e anniversaire du d\u00e9part du premier convoi de d\u00e9port\u00e9s de Drancy vers Auschwitz Les Le\u00e7ons persanes de Vadim Perelman, Allemagne\/Russie\/Bi\u00e9lorussie, 2020, 127 minutes Avec Nahuel P\u00e9rez-Biscayart, Lars Eidinger, Jonas Nay, Leonie Benesch 1942, dans la France occup\u00e9e, &hellip; <a href=\"http:\/\/festivallaresistanceaucinema.fr\/?p=502\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"_links":{"self":[{"href":"http:\/\/festivallaresistanceaucinema.fr\/index.php?rest_route=\/wp\/v2\/posts\/502"}],"collection":[{"href":"http:\/\/festivallaresistanceaucinema.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/festivallaresistanceaucinema.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/festivallaresistanceaucinema.fr\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/festivallaresistanceaucinema.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=502"}],"version-history":[{"count":6,"href":"http:\/\/festivallaresistanceaucinema.fr\/index.php?rest_route=\/wp\/v2\/posts\/502\/revisions"}],"predecessor-version":[{"id":510,"href":"http:\/\/festivallaresistanceaucinema.fr\/index.php?rest_route=\/wp\/v2\/posts\/502\/revisions\/510"}],"wp:attachment":[{"href":"http:\/\/festivallaresistanceaucinema.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/festivallaresistanceaucinema.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=502"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/festivallaresistanceaucinema.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}